the ivory tower looms behind me on the horizon,
say the horizon line holds that tower of plated ivory;
with a knowledge of what was left behind,
and what was taken away from me.
that tower, that bony fortress of unrealistic dreams,
the ivory tower held my fairy tale dreams;
dreams which had no bearing on the real,
for nothing is quite what it seems.
the black tower on the city’s horizon is unforgettable,
my memories of that tower are now unforgettable;
i have a box of photos which carve my mind out,
manipulating me to the aerial.
those menacing money-rich days seem so far away now,
those black and menacing rich days seem so far away;
all that money that was meant to show
our vows – our dry, emotional essay.
the ivory tower still looms behind me on the horizon,
the horizon line lingers like that dress of ivory;
with a knowledge of what i've left behind,
and what i have removed from me.
Showing posts with label san francisco. Show all posts
Showing posts with label san francisco. Show all posts
Saturday, June 6, 2009
Saturday, May 23, 2009
midnight drive
soaring down into town,
not wondering, just going;
wheels pummeling on tarmac --
for no great a cause as this.
bottle green and yellow sour
shining and blurring souls,
symbols, signs -- indications
as the white lights advance.
nocturnal passage plans to take me
far away from the known,
and angels crave more attention
than the darkness out the door.
curve of concrete, blast of shine --
acid quickens to a sure split.
developing a dark progression,
it watches as the journey unravels
on my midnight drive.
not wondering, just going;
wheels pummeling on tarmac --
for no great a cause as this.
bottle green and yellow sour
shining and blurring souls,
symbols, signs -- indications
as the white lights advance.
nocturnal passage plans to take me
far away from the known,
and angels crave more attention
than the darkness out the door.
curve of concrete, blast of shine --
acid quickens to a sure split.
developing a dark progression,
it watches as the journey unravels
on my midnight drive.
Wednesday, May 20, 2009
reclining
reclining on the ground,
my toes braided into the
surrounding red.
i take a glance upward
into your lens, intoxicated in
the moment of simplicity.
palming the fur as i imagine
harmony, nectar
on my mythical horizon.
my toes braided into the
surrounding red.
i take a glance upward
into your lens, intoxicated in
the moment of simplicity.
palming the fur as i imagine
harmony, nectar
on my mythical horizon.
Thursday, May 14, 2009
singing in the street
we went for
singing in
the street.
a rising up of
spontaneity
and the
innocence of the evening
caused by a pursuit
of poetry.
two laps of
16th and mission,
did nothing for
our quest,
and everything for,
togetherness.
all the while,
the winds calmed
to an amplified
sway,
as we continued our
browsing and arousing
on valencian streets,
past clothing, fittings
and musical
outpour.
you improvised lines
and, i, wondered at
the night.
until the bookstore,
where,
sitting on the red floor,
we stared caffeine dazzled
and love
dazed.
sitting in a perfect
frame
between
keats, wordsworth and
yeats.
we sang the
innocence
and daunting
beauty,
of it all.
singing in
the street.
a rising up of
spontaneity
and the
innocence of the evening
caused by a pursuit
of poetry.
two laps of
16th and mission,
did nothing for
our quest,
and everything for,
togetherness.
all the while,
the winds calmed
to an amplified
sway,
as we continued our
browsing and arousing
on valencian streets,
past clothing, fittings
and musical
outpour.
you improvised lines
and, i, wondered at
the night.
until the bookstore,
where,
sitting on the red floor,
we stared caffeine dazzled
and love
dazed.
sitting in a perfect
frame
between
keats, wordsworth and
yeats.
we sang the
innocence
and daunting
beauty,
of it all.
Labels:
2009,
best poems,
christopher jolley,
love,
san francisco
Friday, April 17, 2009
ariel strums
vocalist
in the wilderness
of the acoustic
mic
the simple
disappointment
first cuts me
quick.
ariel strums through neon
flames on bead with corduroy shirt
mario brings on highway speed
glass crash smash over wine
moth swoops, turns and touches.
i turn to
a place where
i can no stronger
see
i plan
my attack
on the stage
bound and
fingering froth.
in the wilderness
of the acoustic
mic
the simple
disappointment
first cuts me
quick.
ariel strums through neon
flames on bead with corduroy shirt
mario brings on highway speed
glass crash smash over wine
moth swoops, turns and touches.
i turn to
a place where
i can no stronger
see
i plan
my attack
on the stage
bound and
fingering froth.
Saturday, April 11, 2009
light over tar
light
over tar.
reflecting shadows
in the noon air.
flight
shines red.
orange, and white;
whilst
the insects
bounce back
in the breeze
to the trees.
over tar.
reflecting shadows
in the noon air.
flight
shines red.
orange, and white;
whilst
the insects
bounce back
in the breeze
to the trees.
bilingue
a horn sounds in the mission
waking the morning up,
as
the men go to sit in the streets
waiting,
on césar chavez,
on Harrison,
by the Salvo.
as
the women go to look after kids
that aren’t theirs.
their parents wanting to save,
and like the idea
d’être
Bilingue.
Bilingual, like the
neighbourhood itself
mixing and diversifying
the real mission
from
the fake mission.
the artists and the poets
think it is oh so hip
d’être
une partie
de la communauté.
all the while--
a horn sounds in hayes valley
waking the afternoon up.
in hayes valley,
in the marina,
in SOMA,
as
ladies and gents
with
more money than sense
ignore the reality,
of any given situation.
in favour
of good fun,
designer clothing,
spending each meal.
they favour,
a Cosmo over a Tequila;
they favour,
Armani over the Salvo;
they favour,
Chevys over Taquería Cancun.
they walk in their heels
as
the people in the streets are stepped over,
by these, their wealthier neighbours
but deep down they know
it’s their city too.
they know
they are
Bilingual.
a horn sounds in the mission,
waking the evening up.
as
the kids
in bright clothes
leave their
fancy loft apartments
head off to the bars
to defina
as
the families sit down
to eat,
grandmother
with grandchild,
their flauntas,
their papusas.
i know i don’t even
begin
to understand
the complexity
of this situation.
i know that this
may
be the most
naïve thing
you’ve ever heard.
i know that i’m
an
outsider
looking in
at the thousands
of residents
of this insane city.
in this city
in this country.
i know that i’m
a
foreigner
a green card holder
through
luck,
and a failed marriage.
but still
i feel as though
i bilingue
(though maybe that’s just
a fallacy).
but --
anyway --
whether its right or its wrong
i can spend a hour
of my time
marking
a sight/site
or two.
waking the morning up,
as
the men go to sit in the streets
waiting,
on césar chavez,
on Harrison,
by the Salvo.
as
the women go to look after kids
that aren’t theirs.
their parents wanting to save,
and like the idea
d’être
Bilingue.
Bilingual, like the
neighbourhood itself
mixing and diversifying
the real mission
from
the fake mission.
the artists and the poets
think it is oh so hip
d’être
une partie
de la communauté.
all the while--
a horn sounds in hayes valley
waking the afternoon up.
in hayes valley,
in the marina,
in SOMA,
as
ladies and gents
with
more money than sense
ignore the reality,
of any given situation.
in favour
of good fun,
designer clothing,
spending each meal.
they favour,
a Cosmo over a Tequila;
they favour,
Armani over the Salvo;
they favour,
Chevys over Taquería Cancun.
they walk in their heels
as
the people in the streets are stepped over,
by these, their wealthier neighbours
but deep down they know
it’s their city too.
they know
they are
Bilingual.
a horn sounds in the mission,
waking the evening up.
as
the kids
in bright clothes
leave their
fancy loft apartments
head off to the bars
to defina
as
the families sit down
to eat,
grandmother
with grandchild,
their flauntas,
their papusas.
i know i don’t even
begin
to understand
the complexity
of this situation.
i know that this
may
be the most
naïve thing
you’ve ever heard.
i know that i’m
an
outsider
looking in
at the thousands
of residents
of this insane city.
in this city
in this country.
i know that i’m
a
foreigner
a green card holder
through
luck,
and a failed marriage.
but still
i feel as though
i bilingue
(though maybe that’s just
a fallacy).
but --
anyway --
whether its right or its wrong
i can spend a hour
of my time
marking
a sight/site
or two.
Labels:
2009,
americas,
ethnic minorities,
san francisco
Tuesday, March 31, 2009
used books
i used to love used.
digging around
in the bookshelves of
thrift stores, goodwill;
wandering around
Valencia St.
i used to need used.
the history of a book,
that familiar smell
that lingers on the fingers,
a faint flavourful
mustiness.
i used to want used.
now, that simple pleasure
exploited and removed
by a capitalistic tendency
to make good,
and suddenly.
i’m used to feeling used.
digging around
in the bookshelves of
thrift stores, goodwill;
wandering around
Valencia St.
i used to need used.
the history of a book,
that familiar smell
that lingers on the fingers,
a faint flavourful
mustiness.
i used to want used.
now, that simple pleasure
exploited and removed
by a capitalistic tendency
to make good,
and suddenly.
i’m used to feeling used.
Thursday, March 26, 2009
suspended
suspended,
in space,
between the
iridescent glow
and the chilling
fog.
suspended,
in time,
the clocks
stuck in the
moment
whilst I tour.
suspended,
in place,
feeling the taut,
brittle,
tightness,
of the solitude.
suspended,
in phase,
looking over
the edge into
the future
as the past
suspends belief,
and the wind
reaches over
for the cold,
crisp,
water below.
in space,
between the
iridescent glow
and the chilling
fog.
suspended,
in time,
the clocks
stuck in the
moment
whilst I tour.
suspended,
in place,
feeling the taut,
brittle,
tightness,
of the solitude.
suspended,
in phase,
looking over
the edge into
the future
as the past
suspends belief,
and the wind
reaches over
for the cold,
crisp,
water below.
Saturday, February 14, 2009
sf haiku
Old hippie, balding,
Redoes ponytail string in
Record store window.
Redoes ponytail string in
Record store window.
Labels:
2009,
americas,
ethnic minorities,
san francisco
Monday, December 29, 2008
you have a lot
you have a lot
more
of my soul
than
either one of us
ever
intended you to have.
more
of my soul
than
either one of us
ever
intended you to have.
Labels:
2008,
americas,
christopher jolley,
love,
san francisco,
spirituality
Thursday, September 25, 2008
Critical Mass
Born in the city -- but not particular
(sounds familiar)
Legs that ache whilst pushing past hills.
Tumulous crowd of rainbow colours.
Apparently to be critical
but seems
Unaware of the politics
riding oblivious
To norms and convention trying to create
A difference.
Masses of event (but masses of thought?)
… Critical
Exhilaration reins in atmosphere
Pushing down haight street cheering,
Shouting out against the b(l)eeps.
(sounds familiar)
Legs that ache whilst pushing past hills.
Tumulous crowd of rainbow colours.
Apparently to be critical
but seems
Unaware of the politics
riding oblivious
To norms and convention trying to create
A difference.
Masses of event (but masses of thought?)
… Critical
Exhilaration reins in atmosphere
Pushing down haight street cheering,
Shouting out against the b(l)eeps.
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